Tracey Bunn and Glenyss
Rae come from vastly different musical backgrounds but share a love
for writing and singing songs with strong melodies and thought provoking
lyrics. In the tradition of bush balladeers and folk writers, their
songs tell tales of the Australian outback, life on the road, cheatin'
men and wild women, love and other four-letter words.
Together they have a captivating stage presence which has wowed audiences
from Tamworth Country Music Festival to tiny outback pubs, urban music
venues to raucous rodeos.
The show is nothing less than impressive, right from the moment the
cowgirls step onto the stage dressed in colourful retro outfits complete
with hats and boots.
They are reknowned for establishing a warm and responsive rapport with
the audience, delivering an inspirational set of songs interspersed
with titillating tales from the road.
In November 2001, Tracey
and Glenyss recorded their first full-length offering. With the help
of producer Michael Vidale (Feral Swing Katz, The Whitlams, Jimmy and
the Boys) and Marcus Holden (Fiddlers Festival), the Toe Sucking Cowgirls
finalised a 15-track CD "Flamin' Sheilas".
The independently financed CD received positive reviews at the 2002
Tamworth Country Music Festival and in 2003 made the top ten finalists
for the Group/Duo and Instrumental sections of the Golden Guitar Awards.
The album is also made the finals of the Victorian Country Music Awards
in the categories of Best New Talent and Instrumental.
Their most recent
cd "Thirteen Thongs" produced by Aria Award winner
Richard Pleasance was released in January 2005 and features the sugary
pedal steel of Ray Cullen and mandolin by Lindsay Martin. It contains
thirteen diverse tracks with a musical style to keep the whole family
happy...bluegrass, swing, polka, blues, ballads and bawdy tales of lust,
liquor and life on the road. It has received substantial national airplay
and garnered many glowing reviews. Check out our Have
A Listen page for details.
The Cowgirls now have three CDs and five years of touring seven states
and territories under their belts, and have made their presence felt
at the Edinburgh Fringe Festival as well as venues in Uk and Ireland.